When I was a teenager, I'd look at people in their thirties and wonder how they felt about being just inches away from old age, retirement, death. For sure, there are benefits to being a member of AARP and, hey, who doesn't like a senior discount? But it always struck me as tragic when I'd see a guy in his thirties craning around his Wall Street Journal to check out the high school cutie in a miniskirt on the subway or a woman in white leggings and a half shirt spray-painted with the popular phrase "Gag Me With a Spoon." As a good friend of mine said at the time: "Stretch pants are a privilege, not a right." I laughed at her insight and gorged myself on Corn Nuts, another privilege also exclusively bestowed on the young whose metabolism cares not that nature never intended for corn to be deep fried and dusted with bbq spices.
This past week, I officially became one of those thirty-somethings I used to heckle. It started when some friends and I went to see "The Guardians," a new play going on at the Bleecker St. Theater. The tragedy was not in the fact that we paid $45 a ticket to see an Off-Off-Off Broadway show loosely based on the Abu Ghraib photo debacle involving Lynndie England, the remarkably butch looking soldier whose "boyfriend" allegedly forced her to humiliate Arab prisoners. No, the tragedy was that we went to see this play for the sole reason that Kate Moennig, aka Shane of "The L Word," was starring in it. We giggled like little lesbian school-girls when we arrived at the black box theater - chock full of other lesbians and a handful of old folks who cashed in on the senior discount - and took our seats in the second row. My heart palpitated at the thought that in minutes, my TV crush would appear live and in person before me (Note: even as a teenager I didn't have TV crushes unless you count Nicholas of "Eight Is Enough" which is just embarassing). Guess I shouldn't have wished so hard because when Kate/Shane/Lynndie finally took the stage wearing a prison-issue orange jumpsuit, a ponytail weave and THE smallest sneakers I've ever seen on an adult woman (this girl's feet are TINY), I could feel my crush draining out of me. Pasty skin, skinny body, feet that look like they were bound at birth. The final suckage of crush occurred when Kate/Shane/Lynndie opened her mouth to speak her monologue in a fake Southern accent that sounded like an outtake from "Deliverance." Cue Dueling Banjos. Clearly I wasn't the only one in pain. All the lesbians, so eager to see La Hotness de Shane, felt disappointed at the reality. A collective sigh went up. A heavyset gal in front of me checked her Blackberry. Another yawned audibly. An older woman fell asleep with her mouth wide open in the front row in full view of the actors and the other audience members who envied her gumption (oh to be a defiant old lady). The last time I felt this way was when I finally saw Lou Diamond Phillips in the flesh after loving him in "La Bamba." Fresh off being dumped by his wife for Melissa Etheridge, Lou wasn't looking his personal best either. "I guess I've finally crossed over" I thought while watching Kate cluck like a Steel Magnolia and do something with her hands that I can only say resembled something you'd do if you were in a church choir or retarded. When the old woman who had slept through the entire production got up during the curtain call and walked in front of the actors in her hurry to get out the door, I knew the dew was officially off the rose.
Well, almost off the rose. Instead of hanging around to listen to a discussion with the Vanity Fair writer who had actually covered the Abu Ghraib case and began her talk with "The real Lynndie England didn't talk that way," we slipped out of the theater, leaving our friend Jim to listen to the lecture, and waited in the lobby. We told ourselves we were waiting "for Jim," but we knew what we were doing. I could feel the excitement rise in me again. Maybe Kate/Shane will pass by me on her way out and give me a look, maybe a wink, hopefully a smile that says "You were my inspiration." Even though the play blew, it's always nice to be someone's inspiration.
Suddenly, we saw her. The ponytail weave and orange jumpsuit were gone, replaced by a sexy cap and tight jeans. She rushed past staring at her cellphone. There was no time to do anything except stare with our mouths open. Somehow the jaded feelings of fifteen minutes ago faded and I was 13 years old again. Rather, I felt like I was 13. I looked like a nerdy thirtysomething minus the Wall Street Journal and white stretch pants. 20 years ago I would've hated me. Now I just want to know if I should bring flowers the next time.